Mitchell Inoya is a New York artist that deserves more exposure.
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Lean Back, Handmade paint on parchment, Mitchell Inoya, 2012
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He represents the type of artist that is all too common these days. He is both a microcosm and a fun-house reflection of the twisted cult of calculated insincerity.
He's been on the scene, albeit on the margins, for over two decades and if you haven't yet heard of him it's not entirely his fault. He is a tireless self-promoter and a constant presence on social media.
I recently stumbled upon an old episode of Timmy Black's bizarre podcast, The Lives of Contemporary Artists where Mitch featured prominently.
Listen and lament.
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