Wednesday, April 3, 2024

WHAT IS THE PLAUSIBLE DENIABILITY PROJECT™?

The Plausible Deniability Project™

I can't tell you how many times I've been asked about the Plausible Deniability Project™ (PDP™). 

"How you join?" (You don't. You have to be nominated, fully vetted, debated, and voted in by a two-thirds majority).

"What exactly is it?" (If you have to ask, you won't understand).

"Who are the members?" (Members!? What? You think it's rock band or a mime troop!

"Well then, so what the heck is the deal?"

Well now we're getting somewhere. I've listed below the names of the core group of anarchist/artists who are the lifeblood of PDP™. They (I mean we) have been getting a great deal of publicity, especially in Los Angeles. 

Below are the names with links to some recent interviews.


Knock yourself out


David Schoffman  1

David Schoffman  2

Timmy Black  1


Timmy Black  2

 

Dahlia Danton


Boris Lemon


Leonora Diwas


 Micah Carpentier


 Spark Boon


 Sophia Lagrimar


 Currado Malaspina


 

 

 

 

 

Sunday, July 9, 2023

LOVING BEATRICE


I've always had a soft spot for the French artist Currado Malaspina. His work is so unapologetically self-indulgent that one can hardly find fault with his conceptual solipsism.

He has apparently fallen in love with Dante - or more specifically, with Beatrice Portinari. His latest project, the illumination of the Commedia in three lushly ornamented artist books, is truly a tour-de-force. Though I can appreciate his brave commitment to the easily accessible Inferno and the more difficult Puragtorio, his treatment of Paradiso is almost creepy in its obsessions.

Malaspina's Beatrice is no longer Dante's conduit to the divine. She is more of a living, sweaty seductress who has sternly lured the poet into her heavenly domain only to ravish and reward him for his decades long devotion.

 

Medievalists would no doubt take issue with this interpretation but Currado has never been inhibited by his ignorance.

Wednesday, June 29, 2022

LOS ANGELES



I rarely visit Los Angeles but when I do, I'm always struck by the anarchy of its urban aesthetic. I'm aware of the clichés, reinforced by Hollywood, of vapidity, self-indulgence and flaccid individualism, but I see little evidence of that. Instead I'm awed by its unremitting diversity. Nowhere in the United States is there so much savage, asynchronous untethered activity.

I find myself walking down streets punished with incandescent sunlight, and stopping to sketch the lengthening shadows of the ubiquitous palms. 

 

Monday, March 29, 2021

DRAWING ON THIN BROWN SHEETS OF PACKING PAPER

Every time I ordered something from some art supply store or second-hand bookshop or hardware emporium or haberdashery, it always arrived with an excess of brown butcher paper crumpled in the corners of the cardboard boxes. Cheap fragile musty paper crammed along the hinges and stuffed inside like a Thanksgiving turkey. 


I was loathe to throw it out so I saved them. I folded each tattered sheet, smoothing them the best I could and folded them along their perforated seams.

Twelve months of ordering things online. Twelve months of crumpled brown butcher paper.

I must have accumulated hundreds of these wasteful shards of cheap smooth crappy paper.

I suppose I should stop ordering so many things online.

Now it seems like the time is right to draw on them.

For some reason I find myself drawing images of my former professor and mentor David Schoffman. I never actually saw him shirtless.

 

Saturday, November 16, 2019

THE IMPORTANCE OF ACTING EARNEST


Mitchell Inoya is a New York artist that deserves more exposure. 



Lean Back, Handmade paint on parchment, Mitchell Inoya, 2012


He represents the type of artist that is all too common these days. He is both a microcosm and a fun-house reflection of the twisted cult of calculated insincerity.

He's been on the scene, albeit on the margins, for over two decades and if you haven't yet heard of him it's not entirely his fault. He is a tireless self-promoter and a constant presence on social media.

I recently stumbled upon an old episode of Timmy Black's bizarre podcast, The Lives of Contemporary Artists where Mitch featured prominently. 

Listen and lament.


Friday, November 8, 2019

CAMERA SHY



Komal Gilboa

Komal Gilboa prefers not to be photographed. The Sri Lankan artist is known for her lyrical abstractions and believes her work should be judged on their own merits. By all accounts, Komal is quite attractive and her reticence in front of the camera has only intensified the myths surrounding her great beauty.



Komal Gilboa, Sense of Guardare, 2017


As the featured artists in Timmy Black's podcast, "Timmy Black Presents: The Lives of Contemporary Artists" Gilboa now will receive the exposure she truly merits.


Maybe now she'll let someone take her picture.







Monday, October 14, 2019

Technology & Art: Strange Bedwetters


This is an important document!!! 
Please review with the proper degree of scrutiny.
The balance of Western Civilization may be at stake!


Sunday, June 2, 2019

The Paper(less) Trail

Dmitry Roch. Notebook 163.2a Brooklyn

One can learn a lot about the inner workings of an artist's mind by studying their most intimate and private documents. Typically one must wait till the artist dies in order to gain access to their private papers. Fortunately for us, Dmitry Roch, one of the founding members of The Plausible Deniability Project™, has donated his vast archive to the Bibliothèque nationale de Faucon-sur-Glave.

Below is a list of links to some of the many projects of PDP™


Podcast 

The Podcast, Timmy Black Presents: The Lives of Contemporary Artists can be found on iTunesSoundcloudSpotifyAnchor and various other platforms.

Websites

Paintings (Schoffman) 


Video


Literature



Instagram

Instagram 1 – (the art collective PDP™)  

Instagram 2 – (Currado Malaspina)  

Instagram 3 – (also Currado Malaspina)  

Instagram 4 – (Dahlia Danton)  

Instagram 5 – (Spark Boon) 

Instagram 6 – (Timmy Black)  


Blogs

 Blog 1 – (about Schoffman, written by Currado Malaspina)  

Blog 2 – (about Currado Malaspina, written by David Schoffman)  

Blog 3 – (about Dahlia Danton, written by Danton)  

Blog 4 – (about Faun Roberts, written by Orestia Shestov)  

Blog 5 – (by Sofia Lagrimar)  

Blog 6 – (by Clement Digby) 

Blog 7 – (about Micah Carpentier by his nephew, Ezra)  

Blog 8 – (about Micah Carpentier by another nephew, Roberto)  

Blog 9 – (another one about Schoffman by Currado Malaspina)  

Blog 10 – (by Spark Boon)  

Blog 11 – (another one by Spark Boon)   

Blog 12 – (Spark Boon’s drawings)  

Blog 13 – (about Boris Lemon, written by Boris Lemon)  

Blog 14 – (another one about Currado Malaspina, written by Schoffman)  

Blog 15 – (Horoscopes from 2016, by Yoyota)

You can find short stories by David Schoffman, Spark Boon, Sophia Lagrimar, Currado Malaspina and Dahlia Danton on Short-Édition - https://short-edition.com/en/










Monday, April 29, 2019

A Crisis in Online Art Journalism


I've always been a fan of Timmy Black's bizarre art podcast, The Lives of Contemporary Artists. When I'm in my car, I listen to it on Spotify and when I'm home, I tune it in on Soundcloud or iTunes.

It sometimes makes me mad. Mr. Black is an equal opportunity offender. He often gets under my skin. But I understand his point of view and until now I always felt that his was a legitimate form of reportage.

Now, after this leaked episode was smuggled out of his recording studio and has made its way through the viral channels of social media, I'm feeling rather differently!

I'm asking my readers to do their part and share this odious example of nihilistic hubris. Timmy Black must be exposed!!!


Saturday, February 23, 2019

LOS ANGELES: THE NEW ATHENS OF THE ART WORLD


Strange new things are happening in L.A.

Blue Figure #8, Timmy Black 2017

A place largely known for Entertainment, Los Angeles has recently begun to make its mark in the art world as well. Consistent with the region's eclectic character, multimedia artist Timmy Black has combined the Hollywood tradition with the antics of the avant-garde.

In the space of less than a year, his podcast, Timmy Black Presents: The Lives of Contemporary Artists, has pretty much eclipsed most of the other arts related broadcasts available online. It's to Mr. Black's credit that he doesn't take himself too seriously. The fatal flaw of programatic narration is the preachy advocacy of spurious assertions. The crowded field of critics and art evangelists typically treat their subject with humorless pedantry. 


Timmy treats art as if we were still in Zurich in 1916.

Now, near his 50th broadcast, he has recently re-released on Spotify his archive of recordings. Starting from Episode #1, you can enjoy the progress of his unpredictable anecdotes 

If you have yet to discover this small treasure of irreverence, here's your chance.

Friday, November 30, 2018

MUST SEE TV!!!

TIMMY BLACK AND THE LIVES OF CONTEMPORARY ARTISTS HAS JUST GONE VIDEO!!!

Wednesday, November 21, 2018

REQUIRED LISTENING

If you haven't been hooked by this podcast then you probably haven't listened to it yet. As a New York art critic, I  find Tim Black's insightful commentary both vital and vicious.

Each episode informs and offends me in equal measure.

I dare you to listen!



Friday, June 15, 2018

UNMINCED WORDS: THE SWEET SULFUROUS SMELL OF REVENGE



I always assumed that the days of artistic contract killing were over. I thought that the last real art world thug was Caravaggio. But I just discovered a wonderful podcast that when not engaged in venomous hatchet jobs, provides a pleasant overview of the contemporary scene.

The following episode is fortunately uncharacteristic but nonetheless, it is extremely thought provoking and at times even funny.

I subscribed to it on iTunes and I recommend you do as well.

Here's a sampler.

Enjoy .... if you can ...  This thing hits way too close to the bone ...

Saturday, December 30, 2017

A FEMINIST PERSPECTIVE


Here's an interesting podcast with a strange story that somehow claims a bizarre sort of feminist currency.

OK, I gave it a chance ...


Thursday, November 30, 2017

IT NEVER HURTS TO LISTEN


An acquaintance of mine recently turned me on to this underground podcast that on the surface seems so bizarre, so random, so senseless and insignificant that if you're not paying close attention you'd think it's just another exercise in social media self-indulgence.

Well, here, now, you can judge for yourself. It's put together by a conceptual art collective called Plausible Deniability Projects and I believe they  come out of Detroit.

Timmy Black may or may not be a real person but David Schoffman certainly is;

Let me know what you think:


Saturday, November 18, 2017

MORTALITY

I just returned from the fourteenth annual Coolidge Pierce College conference on "Big Data."  For some damned reason, the New York steampunk art zine Wavy Thread thought it would be a good idea to send me there. They even lent me the money for my train fare to Yonkers.

For two days I attended panels, cocktail mixers, professional development seminars, hackathons, robotic puppet shows, gaming marathons, cybersecurity debriefings, virtual reality mixed martial arts matches, drone races and even a wacky version of the surrealist game Exquisite Corpse using face recognition software. 

If I hear the word disruption one more time I believe my head will explode.

When geeks get together to slap each other on the back the atmosphere becomes redolent with the smell of freshly slaughtered goat. The goat in question this year was that quaint relic we used to refer to as "privacy."  

It seems that these techno-nerds are so in love with themselves that the idea that they have wrought a world of ubiquitous surveillance barely raises a giggle. "It's not our fault that Facebook users are so stupid," one particularly smug programmer from Baltimore told me while sipping a craft beer at the Snowden Lounge.

And in fact, among all these millennial encryptors I never once saw anyone pose for a selfie. These dudes (& they're almost always dudes) never drink their own poison.

I left the conference feeling both despondent and relieved. I was sad because the future seems like one flat intellectual strip mall but I was soothed by the melancholy reality that I won't live forever.

I hope ...


Saturday, July 29, 2017

A GUIDE TO LANGUAGE IN THE 21ST CENTURY

When I was a graduate student in critical theory we were mockingly advised that if we had a problem expressing our ideas with obfuscating prose we should switch to writing poetry.



I confess that I never fully understood the sarcasm behind that directive but I laughed along with everyone else, confident that we were in the serious business of parsing deep meaning.

I thought about this recently when a friend of mine from school, the poet Tsivait Mzloz, sent me a copy of his latest book, On The Glamour of Being Vague.  Mzloz (pronounced Mees-losh) was the guy in class who consistently questioned the primacy of theory and nagged our professors into defending their aversion to beauty. He knew his way around the Frankfort School and was alone in our class in his ability to read the French Deconstructionists in the original. When he took the advice to become a poet, I remember feeling sorry for him. 



Tsiviat's book is difficult and brilliant, combining insights with speculation all wrapped in a lush fabric of improbable metaphor. I won't bother paraphrasing his complex thesis, it would be, as Cervantes put it, like looking at a Flemish tapestry from the back. But I would recommend reading the lengthy glossary in the end of the book from which, I believe, one could get the gist of his ideas.



Mzloz is a keen observer of language and he has carefully traced the effects of technology, entertainment, the mental health industry and corporate culture on demotic English. Whereas at one time allusive speech and precision were the twin virtues of articulateness, today's talk is a veritable thesaurus of unfocused ambiguity.

Here are a few of his favorite examples:

Empowerment - an inauthentic form of chutzpah (see Authenticity)
Authenticity - a feeble feigning of conviction
Disruption - the profit motive disguised as an ethic
Network (as a verb) - exchanging business cards with an authentic smile (see Authenticity) 
Validate - the enablement of weakness disguised as praise
Vision - the packaging of the past into a recognizable brand (see Brand)
Brand(ing) -the neutering of individuality into an elevator pitch
Resource - a human being
Leadership - the loudest voice in the room while paraphrasing an aphorism from a book on management (see Management)
Management - the effective evasion of personal responsibility
Share - to talk about personal matters with an indifferent stranger
Panel - a group of people sitting on director's chairs who have never heard of Billy Wilder 







Tuesday, January 24, 2017

THE SUPREME AUTHORITY OF THE PRESENT



The cruel accidents of birth and chronology.


What good is immortality compared to 346 consecutive weeks on the New York Times trade paperback bestseller list?

Blaise Pascal

If he could have somehow delayed his birth by about 350 years, Blaise Pascal would be burning small bushels of sage while hanging beaded curtains in a sun-drenched beachside villa amassing millions of followers on Instagram while administrating a massive self-help multi-level marketing empire in Santa Monica, California. 

He would appear on Oprah, dance with Ellen and preside over weekend motivational/actualization retreats in Ojai and Sedona. 

He would sunbathe with celebrities, deliver inspiring Ted Talks to the titans of industry and be the subject of hagiographic documentaries on Netflix and the Sundance Channel.

He would give up his dusty perch on the philosophy shelf at the Strand and take his proper place in Barnes and Noble's Christmas vitrine with works with updated titles like "Living and Doing," "Secrets and Tips for the Successful Executive Life," and Clearing Possibilities Toward Powerful Awesomeness." 

He would do all these things and more just on the strength of the following famous excerpt from the Pensées:

“Let each of us examine his thoughts; he will find them wholly concerned with the past or the future. We almost never think of the present, and if we do think of it, it is only to see what light is throws on our plans for the future. The present is never our end. The past and the present are our means, the future alone our end. Thus we never actually live, but hope to live, and since we are always planning how to be happy, it is inevitable that we should never be so.”

But alas, Blaise Pascal was born in 1623, long before one could count on a critical mass of disaffected middle-aged professionals whose considerable disposable income and active repertory of insignificant grievances could catapult a crackpot into a mass-market media prophet.

Poor Blaise who said it all four centuries ago, watching from the heavens as snake oil mediocrities like Prem Morran turn his subtle French phrases into Facebook aphorisms, t-shirts and tweets.


"C'est une maladie naturelle à l'homme de croire qu'il possède la vérité"